Infinity Stage: Light Axis and the Human Mirror – Suzy-Poling “Infinity Stage” Residency
July 16, 2016 Coaxial Los Angeles, CA

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This event is an live taping involving Poling’s sculptural mirrored objects, large painted back drops, installation pieces, costumed figures and sound in collaboration with Experimental Half-Hour. There will be sonic elements to this Taping and guest performers within Poling’s piece. The objective for this collaboration is to explore what the mirror’s refractive abilities are relation to the live video synthesis and human form. The idea is for the human to be covered in a mirror sculptural body suit that is of an architectural design. The human performer can play the roll of a lighthouse or structure for light phenomenon and transmissions to occur.


Suzy Poling Biography

Pod Blotz/Suzy Poling is a multi-media artist working with sound, video, film, photography installation, sculpture, painting, collage and performance art. She researches the multi- dimensional interferences between optics, mirrors, sonic resonance, electrical synthesis, video experiments, human/alien identities and photographic studies of geological anomalies. She is from Michigan, studied at Columbia College in Chicago, lived in the San Francisco Bay Area for almost a decade and now resides in Los Angeles. Visually, her work has been exhibited at the Yerba Buena Center for the Arts, Southern Exposure, Disjecta, Cal Polytechnic University, Cult Exhibitions/Aimee Friberg and Zg Gallery
. Her images have been published in The New York Times, Harper’s Magazine, Dazed Digital and a Metropolitan Museum of Art Book. She has lectured at Cal Poly University, de Young Museum, Headland Center for the Arts, Columbia College of Chicago. Poling is a recipient of the Mike Kelley Foundation Grant and was a nominee for the SECA Award at the SFMOMA. Sonically, she has performed at the San Francisco Electronic Music Festival, Colour out of Space, Yerba Beuna Center for the Arts, Berkeley Art Museum, Human Resources, The LAB and Bemis Center for the Contemporary Arts. Pod Blotz has made releases with Chocolate Monk (UK), Nostilevo (LA), Conjunto Vacio (Spain), Clan Destine Records (UK) and Dungeon Taxis (NZ/NYC).

This program has been made possible by a grant from the Mike Kelley Foundation for the Arts.

Experimental Half-Hour is a supported
by the following grants and endowments